Travis wall choreographer brothers osborne

External links [ edit ]. Primetime Emmy Award for Outstanding Choreography. Complete list — — — Authority control databases. United States. Toggle the table of contents. Travis Wall. Wall in Martha Nichols. Heidi Groskreutz. Lil Wayne. Tucker Knox Robert Roldan. Jasmine Harper Fik-Shun. Jessica Richens Robert Roldan.

Travis wall choreographer brothers osborne

Runner-Up in Season 2. Choreographer in seasons 3, 5, 6, 7, 8, 9, 10, 11, 12, Next Gen Guest in seasons 4, 5, Next Gen. All-Star in Season Results Show, Season 5, October 16, Bedtime Stories. RuPaul's Drag Race. Dallas Cowboys Cheerleaders: Making the Team. All Entertainment. Cooking Classes. Grocery Stores. Recipe Resources. Alternative Medicine.

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Pet Supplies. All Pets. Business Solutions. Communication Software. Marketing Tools. Software Utilities. Website Development. Writing Assistants. All Software. Movement always comes last. I see the overall concept, and then I start diving in. I can visually see it. Give it a capital letter and a period and figure out what the words are in between.

Movement comes last because there has to be a purpose that drives it…the intention and the overall concept should inspire the movement, and not vice versa. Being smarter. Before, I just wanted to move and to be able to choreograph. Over here! How crazy and how abstract and how aggressive can I be with this movement? Is that the clearest decision?

Where is the point of focus? Where is the story? Does that move make sense? How does that feel? How do you stay grounded? TW: My mom would slap me. My boyfriend is incredible. When I did a piece for my mom, with her having cancer and almost dying from it — the outreach from that. You realize that this is so much bigger than yourself, so much bigger than life itself.

No, you won't. He's been in Norway dancing with the Norwegian Ballet Company. But, he's coming back from that and a cliffhanger for the series is that we possibly might go on tour and that might be a Season 2. But I would love if he would come and perform with us. I did see it. It's really hard because these are some of the best routines ever done on the show.

And it's so hard to have that much pressure and see if you can compare to the greatest on the show. I think they did an amazing job. Chehon's a ballet dancer and I was so much more familiar with [contemporary] movement. Technically, he was perfectly stunning. But, like the judges said, they wanted to see him let go a bit more, especially the part where he slid down the chair.

He held himself up too much. But I think he did an amazing job, especially because that piece out of all of them is the number one piece of the entire series. That piece in Season 2 set the benchmark for how pieces should be done here on out. So they had the hardest job to do. And I though Witney absolutely killed. I'm so excited for this week.

I have two routines coming up -- contemporary and jazz. Nick is my all-star for my jazz routine and Jaimie is my all-star for contemporary. I'm so excited. When you started choreographing for the show, were you nervous about the transition from being an alum? I wasn't nervous just because I was so confident in my choreography. I knew I would do a great job.

But I wanted to prove that to them and please them -- the producers and the audience. For so long, I was looking for their approval. Finally, this season, I feel like I have their approval and I'm doing it for myself and my craft, instead of always having to feel like I have to fight for my spot to be treated as a choreographer. But this year, I walked in and I was like, "I got this.

What's your favorite dance you've choreographed for the show? That's hard. My favorite as far as choreography goes, visually, I loved "Turn to Stone" [with Melanie and Marko is Season 8 ] -- I thought it was absolutely beautiful. But to me, the one that hit home was the cancer piece that I did, my mom's "Fix You" piece [with Robert and Allison in Season 7] that I did for her.

That whole dance was literally created step-by-step from the experience of going home and seeing my mom after her surgery. That whole year I was going through so many things and that was my therapy session. I definitely should have been talking to someone about what I was going through, and instead I created pieces and that's how I let out my aggression and how upset I was about everything that was going on in my life.

If I look back on those pieces, it reminds me of how I've overcome those situations. How's your mom doing now? She's fantastic. You also choreographed a dance for Kent and Neil [to "How It Ends"] that showed two men dancing together differently than people had seen same-sex dancing before. Do you think that the show and the dance world should include more same-sex dancing in a romantic and emotional way?