Jakez francois biography of martin

Teddy Jones on May 11, at pm. Norah Dooley on May 13, at pm. Wonderful — almost like being there. Nelleke on May 14, at pm. Wow, love that pink case! Kobie du Plessis on May 18, at pm. Rudolf Wedekind on May 18, at pm. Hearty greetings from Rudolf Reply. Atilio Adrian Matteucci Athy on May 22, at pm. Hugs from Brasil! Atilio Adrian Matteucci Athy Reply.

Submit a Comment Cancel reply Your email address will not be published. Follow Me. Search for:. First Name Email I want in!! There are always a dozen projects in process. Production organization is important as we are always growing, so there are workshops to move or enlarge. Or we may work on harp improvements, from the smallest part of the harp to the construction of the whole instrument.

I wonder what we used to do during all the hours that I now spend writing. The sound result is magnificent, both from the point of view of the fidelity of the timbre and of the restitution of the dynamics. We remain speechless while listening to the quality of the grain of sound and the equality of the capture, and this over the entire range of the harp.

I warmly recommend the system Ischell with two sensors: with its dedicated preamp, it represents THE solution for amplifying pedal harps or Celtic harps. No sound transformation. But after all is said and done, it proved commercially unworkable.

Jakez francois biography of martin

If it displayed undeniable technical prowess, it was nevertheless insufficiently reliable, and the cost of its manufacture was exorbitant. The technology on board also made the base of the instrument considerably heavier, harder to transport, and to use. Clearly, the Memory Harp was not destined to replace traditional pedal harps. This is an idea taken from Pleyel, and is a principle Camac still follows today.

The metal core has now been replaced with carbon fibre, lighter and even more stable than metal, clad with wood. Jakez came from a family of Breton traditional musicians, and studied both Celtic and classical harp. It was a perfect partnership. The result was simply extraordinary, surpassing all expectations. Unplugged, the harp is an entirely traditional instrument.

But when connected to an amplification system, the palette of musical possibilities extends into infinity, from a discreet bolstering of the sound to the wildest sonic experiences. The electroacoustic pedal harp was launched at the World Harp Congress in Paris in It was particularly unmissable because it was bright blue! The aim was to deliver an instrument with a fine sound, coupled with the greatest ease of playing.