Hokkien songs teresa teng biography

The sales of 'Airport' were huge, totaling , copies. In , Teng was caught with a fake Indonesian passport while entering Japan and was deported and banned from entering the country for one year. After a long absence, Teng returned to the Japanese market on 21 September , and released her first single "Tsugunai" Atonement after her comeback on 21 January By the end of the year, sales surpassed , copies and final sales reached a million copies.

Teng won the top award of 'Singer of the year' from Japan Cable Award. On 21 February , Teng's next single, "Aijin" Lover topped the Oricon Chart and Japan cable broadcasting request chart in the first week of its release. The song remained 1 for 14 consecutive weeks and sales broke the 1. With "Aijin", Teng won the 'Singer of the year' for the second time.

Teng won the Japan Cable Award for the third time in a row. Teng became the first-ever artist to achieve three consecutive wins of this Grand Prix , also known as Japan Cable Award. She also remains the only foreign singer to win this award for three consecutive years in the history of Japanese music — After the regime collapsed on the mainland, the Nationalist government switched to Taiwan as their base after As a child, Teng grew up in this martial environment of the s.

Her first mentor introduced her to singing before military audiences, a practice she continued throughout her life. In those years, Teng gave many performances for soldiers and sang patriotic songs on television programs. In February , while attempting to enter Japan, Teng was caught using a fake Indonesian passport she bought on the black market.

The incident was criticised both in Taiwan and Japan. She was barred for one year from entering the country by Japan's Minister of Justice. Teng performed for the Taiwanese troops again, and the income from her performances was donated to the "Funds for Self-Improvement and Patriotism". In August , Teng performed for the troops for one month, touring military sites all over Taiwan.

She visited the generals of the army, navy, and air force and sang for them. Due to her vigorous devotion to soldiers in Taiwan, Teng was awarded the "Patriotic Entertainer" medal by the government information office. These frequent performances for the troops garnered her the nickname "the soldiers' sweetheart" by the media.

Hokkien songs teresa teng biography

In , the death of President Chiang Ching-kuo marked the end of martial rule in Taiwan. In the early s, Teng returned to entertain the troops again, with her last performance being in Teng began charity performances at a very young age. One of her first performances came on 17 August , when she sang at the charity fair in Zhongshan Hall in Taipei , for the relief of the earthquake in the Philippines.

The charity sale was donated on the spot. The following year, Teng was invited by the wife of the then- President of Singapore Yusof Ishak to a charity performance at the Singapore national opera house. Teng continued performing for philanthropic causes throughout the s in Singapore, Taiwan, and Hong Kong. She made a special trip to Hong Kong in July to participate in the disaster relief program of ATV's "Love for East China" as a special charity performance guest to raise funds.

Teng gave her last performance in in Taiwan, a year before her sudden and unexpected death. Teng credits Chinese folk songs and music as a major influence on her musical career, which she often grew up listening to. Teng learned Peking opera through her father, while her mother introduced her to Huangmei opera , accompanying her to opera houses and encouraging Teng to sing in that style by purchasing songbooks for her.

Alongside regional and folk styles, Teng was also influenced by shidaiqu and Japanese music. Gordon characterizes as a "private emotion" in her listeners—as though she were singing for each of them individually. On 8 May , Teng died suddenly and unexpectedly while on holiday in Chiang Mai , Thailand , at the age of Several sources reported a severe asthma attack as the cause of her death; however, Thai doctors attributed Teng's death to heart failure, but no autopsy was performed.

Teng had complained of having respiratory difficulties since the beginning of the year. The cause of death was never confirmed, as both Teng and Quilery's families declined to allow an autopsy. Later, the case was closed by the police due to a lack of evidence. Billboard stated that Teng's death "produced a unified sense of loss throughout all of Asia".

Over , people lined up outside the funeral home, waiting to bid their last farewells to Teng, causing traffic in Taipei to come to a standstill. Hundreds of high-ranking officials and dignitaries, including commanders from three branches of the military, attended the funeral and accompanied Teng's coffin to her grave. A day of national mourning was declared and President Lee Teng-hui was among the thousands in attendance.

According to Teng's maiden name character, Yun, the grave was named "Yun Yuan". On the tombstone, the head of Teng is carved. The coffin lid behind the tombstone is polished with black marble. Behind the coffin lid is a stone sculpture. The upper half is a lying portrait of the singer, and the right side of the lower half is inlaid with a color photo of her, with the words "Deng Lijun, —" written on the left side.

On the right side of the coffin lid, there is a huge stone with the words "Yunyuan" inscribed by James Soong , Governor of Taiwan Province. On the left side of the coffin lid, there is a stone stele on which is engraved with the epitaph: "Here lies a superstar who dedicated her life to singing. Spreading her songs was banned in mainland China and the journalist was formally warned for this act.

A house she bought in in Hong Kong at number 18 Carmel Street, Stanley also became a popular fan site soon after her death. It closed on what would have been her 51st birthday on 29 January Her peculiarity lie in the fact that the different cultural trajectories developed by the special political background of the two sides of the Taiwan Strait merged two different trajectories in a specific time and space dislocation, so she became the favorite of many people in that era.

It would not have been possible without controversy. Today, it seems that this was normal at the time. After all, it is impossible to fully accept a cultural phenomenon like Teresa Teng with the general values and consciousness of the people at that time. Throughout her year career and up to this point, Teng has been acknowledged by many as one of the most celebrated and influential figures in Asian music and popular culture, [ 26 ] [ 75 ] [ 76 ] considering her deep impact on the whole of Chinese society, with an influence extending beyond music to include both political and cultural spheres, while her Asia-wide reach is largely attributed to her multi-lingual abilities, which established her as an icon in all of Asia, heralding the era of region-wide pop superstardom that has become today's norm.

Teng emerged as one of the biggest singers in the world in her heyday of the s and s, [ 79 ] with many considering her the most famous Asian popstar of her time. Numerous musical and non-musical figures have been influenced by Teng. Prior to the s, foreign music and art were prohibited in mainland China for nearly three decades. Love songs were almost non-existent, with the majority of music stemming from politics or red songs , which heavily dominated the country's cultural domain.

They were commonly revolutionary model operas promoting the ideals of the party and military. Jin Zhaojun, a prominent Chinese music critic, characterized the music during this period as "overly masculine and lacking in femininity", in which people were denied a whole range of basic human desires and modes of expression. Teng's music, in this regard, broke new ground in terms of style and content.

She blended traditional Chinese folk music with Western pop and jazz, opening the doors to the musical creations of later generations. She became the earliest guide for composers on how to arrange music for popular songs, and numerous musicians reproduced their work by imitating her. Her frequent use of jazz or jazz-influenced ensembles in her music set the standard for saxophone performance practice in mainland pop today.

Jin pointed out that, before this, alongside more authentic folk singing, the Chinese also had a "national singing" between bel canto and folk singing. Teng taught that people could also sing with another part of their voice, which was later named "popular singing". Teng's songs were centered on a range of subjects, most primarily love and human relations—the most lacking elements in mainland culture at the time.

Author Ah Cheng recalled hearing her music for the first time in as a sort of excitement and extreme addiction that he and his friends would press their ears to the wooden frame of a shortwave radio only to get her voice heard. Yunnan was endowed with a magnificent geographical gift: you could hardly hear central people's radio, and the newspaper would take days to make its way into the mountains and then be collected at the party's secretary's house, where you could ask him to tear off a strip when you wanted to roll up a cigarette.

For people who listen to enemy radio, radio from the center or the official newspaper was merely a supplemental reference. But listening to enemy radio was not about political news so much as entertainment. I remember that whenever the Australian national station broadcast a radio play of the Taiwanese film The Story of a Small Town everyone would bring their own radio because the shortwave signal would tend to drift and that way we could cover the entire frequency range and make sure we had continuous sound from at least one receiver at a time.

The boys and girls sitting around that grass hut would be in tears! Especially when Teresa Teng's voice rang out, emotions would rise to a fever pitch — her voice was to die for. The popularity of Teng's music among her listeners marked the birth of China's fan culture. Without the technology to communicate, fans organized their own groups of fandom by sharing her tapes or discussing her music together.

Teng's music fandom is considered the earliest stage of the development of the Chinese pop culture fandom, before which no popular media could be found. Her songs over the following decade revolutionized Chinese popular culture, which marked the end of the extremely tight control exercised in the preceding three decades by the communist party over Chinese society and culture.

Author Ah Cheng cited Teng's songs, an inspiration for the revival of popular culture on the mainland. He adds that "to the Chinese, Deng Lijun was a great person. If Deng Xiaoping brought economic freedom to China, she brought liberation of the body and free thinking to China. According to Nobel Peace Prize laureate and writer Liu Xiaobo , "Teng's romantic songs reawakened our soft centers by dismantling the cast-iron frame work of our "revolutionary wills," melting our cold, unfeeling hearts, reviving sexual desires, and liberating our long-suppressed human softness and tenderness.

Prior to the s, China had no popular culture to speak of. The closest thing we had were revolutionary model operas and things made in that mold. Everything around us was structured collectively: we, but Teng's songs, on the other hand, were entirely new at the time.. In , there were only a few audio-video distribution companies in the Mainland.

By , it had increased to , indicating Teng's music as the trailblazer for this change. Teng became popular in Japan and Southeast Asia , and to some extent, South Asia , [ 4 ] achieving a "cult status" in Hong Kong , Taiwan, Mainland China, and Japan, where she became a "barometer of cross-strait relations" in rising geopolitical tensions at the time, [ 98 ] and one of the first artists to break through linguistic and cultural barriers, garnering recognition and acclaim from cultures across much of the region that had previously been confined to national borders.

In , Teng entered the Japanese market, two years after Japan severed diplomatic ties with Taiwan. She was extremely popular in Japan throughout the s and s, having lived off her royalties in the country after semi-retiring in the late '80s. During this tenure, Teng recorded and performed Japanese pop songs, often termed as kayokyoku by Japanese media, and helped connect Japan to much of East Asia , particularly Taiwan, China, and some of Southeast Asia, helping bridge the gap between them, some of which were later covered in Mandarin , as reported by Nippon.

Hirano Kumiko, an author at Nippon writes: [ ]. For Japanese, Teresa Teng was more than just a popular singer. She taught us about the profundity of Chinese culture, whether in her birthplace of Taiwan, her ancestral home of China, or Hong Kong, which she loved throughout her life. We, her Japanese fans, will never forget her velvety voice and the brief, beautiful radiance of her life.

At the same time, new political frictions have developed. Teng, who continues to be loved across national and ethnic boundaries, still shines as a voice uniting Asia through song. Weintraub and Bart Barendregt described her as "a model of inter-Asian modernity whose voice crossed linguistic, national and generational borders", [ 99 ] whereas John F.

Copper called her "the most heard singer in the world ever" during her time. Considered a "brilliant linguist" by The New York Times , [ 64 ] Teng was named one of the world's seven greatest female singers by Time magazine in Over 24 million people voted, and Teng came out as the winner with 8. In , on the eve of "March 8th International Women's Day," she was named "the most influential woman in modern China" in a poll conducted by many well-known Chinese media from 1 March to 8 March.

The poll was conducted across eight cities in Japan with respondents aged above Actress Yoshino Kimura starred as Teng. It renovated Teng's ancestral home to its original appearance. Her singing can be heard in every corner of the town. Visitors can enjoy her music through artificial intelligence technology. The name was adopted by the vote of the Municipal council of France held on 17 February She was born on 29 January and unfortunately died at only 42 on 8 May , suffering an asthma attack while on vacation in Thailand.

She remains one of the most successful singers of the Mandarin-speaking world. She had a voice for both classic folk songs and contemporary ballads, sounding sweet yet powerful. Her style also reflected a transnational ethos. She covered traditional folk songs accompanied by Western-style orchestration. The Chinese government tightly controlled cultural and artistic expression to ensure it aligned with Communist Party ideology.

The Chinese government was wary of Taiwanese cultural products,. During and after the Cultural Revolution, there was a push for art and music that promoted revolutionary ideals and the collective spirit, rather than romantic and individualistic themes. Teng's music, seen as more loving and personal rather than revolutionary and collective, did not fit this mold.

She had a voice for both classic folk songs and contemporary ballads, sounding sweet yet powerful. Her style also reflected a transnational ethos. She covered traditional folk songs accompanied by Western-style orchestration. She also recorded songs in Taiwanese Hokkien, Cantonese, Japanese, Indonesian, and English; a multilingual approach that greatly contributed to her expansive audience.

Teng was known across Southeast Asia and her fame spread to China in the s and s despite censorship. When Teng re-interpreted the song in and released it as part of an album, the song was a hit and has since been covered by numerous Chinese and international singers.